• Election by Avinda Tishan

Election by Avinda Tishan

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An original painting by Avinda Tishan

Avinda Tishan’s Election is a raw, visually arresting statement on the circus of modern democracy. At first glance, it feels like a street carnival gone grotesquely wrong, where politicians don clownish masks and perform an absurd, ritualistic prayer before a blood-streaked ballot box. Tishan’s brushstrokes are chaotic and intentional, reflecting a society unraveling behind the veil of order. The background, with its decaying urban sprawl, is bleak and ominous, underscoring the disconnect between these hollow figures and the world they supposedly govern. 

There’s an almost absurd theater here, but it’s a theater where the stakes are brutal—notice the boy carrying water on the side, a stark contrast to the farce happening center stage. It’s this juxtaposition that screams loudest: the real struggle of the powerless, who are merely props in this macabre performance of power. The bold reds suggest bloodshed, sacrifice, and the weight of corruption. Tishan is not just documenting a moment; he’s laying bare the farcical and often sinister reality of elections. The masks are a simple yet devastating metaphor—these aren’t real people, but puppets of a broken system. This painting asks the viewer: Who benefits from this performance? And what does it cost?

 Size

44.5" x 30"

Medium Mixed Media on Canvas
Framing Unframed / Unstretched
Year 2024
Editions Unique
Certificate of Authenticity Included
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Avinda Tishan

Avinda Tishan is a radical political artist whose work strikes at the core of global political systems through the lens of Sri Lanka’s post-revolutionary reality. His thick, impasto brushstrokes—layered with oil and acrylic—are intentionally chaotic, capturing the unpredictability and upheaval that ripple through societies in turmoil. Tishan’s paintings don’t merely reflect the aftermath of Sri Lanka’s political struggles; they serve as a critique of power structures worldwide. His art engages with the ways in which governments and systems fail their people, portraying both the collective trauma and resilience that follow radical change.

Influenced by Post-Impressionism, particularly the expressive freedom of French masters, Tishan’s compositions are raw, textured, and emotionally charged. They embody the tension between control and collapse, mirroring the universal experiences of societies facing political unrest, authoritarianism, and the fight for justice. His work transcends Sri Lanka’s borders, reflecting a global struggle against oppression and inequality, using color and form to challenge the viewer’s perception of resistance and rebellion.

While his early practice was steeped in the intricate traditions of Sri Lankan temple art, that foundation now sits in stark contrast to his more provocative, contemporary explorations. Those roots serve as a reminder of the delicate balance between past and present, tradition and disruption—elements Tishan now radically reinterprets to interrogate not just his homeland, but the very nature of power itself.