• Na Razakar Naye by Antara Dey

Na Razakar Naye by Antara Dey

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This artwork is a personal reflection of my Sylheti heritage and the struggles my community has faced over generations. The central fiery orb represents the burning core of our cultural memory— a flame that is both a source of warmth and identity, yet constantly threatened by the forces of displacement and cultural erasure. The objects suspended around the border, like fish, leaves, and traditional tools, symbolise elements of Sylheti folklore, bringing to life stories and traditions that are slowly being forgotten. The colour scheme is deeply influenced by the Bangladeshi flag. The green background represents the lush landscapes of Sylhet, a reminder of the natural beauty we are so deeply connected to. The orange and red tones within the central orb mirror the red circle of the flag, symbolising the blood and sacrifices made for independence, and by extension, the struggles my people have endured through partition and the loss of cultural continuity. These colours are not just a political reference, but also a tribute to the resilience of Sylheti identity. Through this painting, I explore the tension between survival and erasure, and how folklore—once a vibrant part of our community—can still be a tool for resistance. It's my way of preserving the stories, poems, and ballads of Sylhet while confronting the political forces that threaten their survival.

 Size

78" x 68"

Medium Acrylic on Canvas
Framing Unstretched / Unframed
Year 2024
Editions Unique
Signed Signed by Artist
Certificate of Authenticity Included
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Antara Dey

Antara Dey is a visual artist focused on painting, celebrating the cultural heritage of Sylhet, Bangladesh, and the Sylheti language. Her work draws from Sylheti Hindu mythology, family folklore, and evolving community traditions, fostering cultural unity and pride.

Using acrylic and oil paints, Antara creates bold, distorted figures and symbolic motifs in vibrant, unconventional color palettes. Her compositions weave Sylheti rituals, mythology, and memory, blending tradition with contemporary narratives to preserve and celebrate Sylheti identity.

As a third-generation Indian-Sylheti, Antara's work is influenced by the 1947 and 1971 partitions, reflecting on the erosion of language and customs. Her art revives Sylheti folklore, transforming forgotten stories into visual narratives across generations.

Dividing her practice between Delhi, Chennai, and Guwahati, Antara sparks conversations about preserving marginalized cultures while celebrating Sylheti traditions.