• Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani
  • Untitled (Diptych) by Riya Chandwani

Untitled (Diptych) by Riya Chandwani

As Riya continues her burn works - where paper bears the marks of time, memory, and erasure, she turns to the words spoken at the time of Partition. In this series, Riya inscribes Jinnah’s 11 August 1947 speech onto the surface of his body, and Nehru’s Tryst with Destiny speech onto his own, each rendered in indigo blue, a colour deeply tied to both pain and resilience in our history.

Their faces are covered in gold leaf, a deliberate gesture to both sanctify and obscure. In doing so, the work asks the viewer to look not at the men, but at the promises they made. What was said then? What remains today?

These works do not offer answers, but hold space for the question:
Are we truly free in this independent nation?

The burnt edges, fragile surfaces, and lingering words speak of both hope and haunting - of a past that still smoulders within us.

This diptych was exhibited at Method in the group exhibition "The Parliament is Now in Session" (August 2025)

 Size 36" x 60" Each
Medium Paper Burn on Gateway Sheet, Charcoal, Pencil, Graphite, Gold Leaf
Edition Size Unique
Year 2025
Certificate of Authenticity Included
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Riya Chandwani

Riya Chandwani is an artist based in Mumbai. She completed her Master’s degree in painting from Sir J. J. School of Art and was born in Katni in 1995.

Her practice engages with displacement, intergenerational memory, historical lineage, and femininity. Drawing from her family’s roots in Sindh (now in Pakistan), she reflects on the lasting impact of the Partition of India in 1947, where inherited memories of migration intersect with gender and cultural identity.

Working across drawing, painting, paper burn, and installation, Chandwani creates figurative works that address race, class, and marginalisation. Through allegorical narratives and vivid colour, she explores hybrid cultural forms shaped by rupture, while her drawings trace ideas of loss, memory, and home.