Subah Kee Sair by Aaran Patel
Sunrise on a summer day at Humayun’s Tomb in Delhi. After their morning walk around the charbagh, four gentlemen sit on the steps of the sixteenth-century Mughal tomb. The maqbara, commissioned in 1569, was amongst the first monuments to use the combination of red sandstone and white marble, which became a Mughal signature. Over the subsequent centuries, Mughal emperors provided patronage to architects, craftspeople and scholars who led a syncretic artistic and literary flourishing. It is partly due to this legacy that citizens from different cultures and faiths share so much not in spite of but because of their varied backgrounds.
40% of all profits will be contributed to Karwan e Mohabbat
Sizes |
8" x 12" : Edition of 10 |
Medium |
Digital Print on Archival Paper |
Framing | Unframed |
Year | 2018 |
Certificate of Authenticity | Included |
Shipping Policy | Shipping charges as applicable & will be applied at checkout. Please see complete policy here. |
Taxes | Included |
Return & Refund Policy | No refunds or exchanges on art. Please see complete policy here. |
Aaran Patel
Aaran Patel is a documentary and fine art photographer who is based in Mumbai. His past group and solo exhibits include “Hearts on Fire” at Chemould CoLab, “Ganga Jamuni Tehzeeb” at Method, and “Mumbai is Upgrading” with Jeff Nelson at G5A. Aaran photographed Teach For India’s ten year book, Grey Sunshine, has documented handloom in Maheshwar for over a decade, and more broadly been an observer of changing conceptions of built and natural spaces in India. He works full time in climate change philanthropy and policy.
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